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Reds. Oranges. Yellows.
Pizza slices, barber shops, taxis, training home. Stunning. A touch Mad Men. A touch Revolutionary Road.
Saul Leiter started shooting color and black-and-white street photography in New York in the 1940s. He had no formal training in photography, but the genius of his early work was quickly acknowledged by Edward Steichen, who included Leiter in two important MoMA shows in the 1950s. MoMA’s 1957 conference “Experimental Photography in Color” featured 20 color photographs by Leiter.
More: lensculture
Some real still beauties.
From Wiki: On the Bowery is a 1956 American documentary film directed by Lionel Rogosin. It was nominated for an Academy Award for Best Documentary Feature.[1]
After the Second World War Lionel Rogosin made a vow to fight fascism and racism wherever he found it. In 1954 he left the family business (Beaunit Mills-American Rayon Corp.) in order to make films in accordance with his ideals. As he needed experience, he looked around for a subject and was struck by the men on the Bowery and decided that this would make a strong film. Thus On the Bowery was to be Rogosin’s provocative film school that would prepare him for the filming of his anti apartheid film: Come Back, Africa (1960).
In 2008, On the Bowery was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”
